A Selection of Oceanic Art / NH-073197-18

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NH-073197-18

Pudding knife
Iles Torres, Republic of Vanuatu
Wood
Late 19th - early 20th century
L: 23.35 in. (59.309 cm)

The traditional diet of Vanuatu was vegetarian, occasionally augmented by a variety of animals, including insects, fish, crustaceans, poultry, and pigs. The staple food for the Īles Banks group, as well as of most of Vanuatu, was pudding (lap-lap in Pidgin), which consisted of yams, taro, or banana. Men used personal eating knives for this pudding (Speiser 1991 [1923]: 114-127). Elaborately carved and beautifully elongated examples of pudding knives are found only on Īles Banks and Torres. Their use was restricted to men of high suque rank; lower orders would have used relatively simple and shorter knives (Speiser 1991 [1923]; 128-9 and pl. 22-3). This eating knife is an excellent example and once belonged to a high-ranking individual. The elaboration corresponds to the owner's rank, with the longest and most elegantly carved belonging to the most elevated. Within the men's house, each grade had its own sacred oven or fire at which only those who had attained that grade could eat. A man could be killed for transgressing the fire of a higher rank and he might forfeit his rank if he ate food cooked at the fire of an inferior one. Speiser recounted the story of a high-ranking man who was kept prisoner on a European warship and starved to death because he could not obtain food cooked at a fire appropriate to his rank (1991 [1923]: 358). Coombe also mentioned exclusive cooking fires on Loh in Īles Torres, "Two men there were who had mounted in rank so high...that no one else in the village could eat with them. Presently one died. After his skull had been washed it was placed regularly beside his quondam friend when-ever he ate from his exalted oven!" (1911:144). See Coombe, Florence 1911, Islands of Enchantment: Many-Sided Melanesia. London: MacMillan and Co.
Published: Hurst, Norman. 1996. "Power and Prestige: The Arts of Island Melanesia and the Polynesian Outliers." Cambridge, MA: Hurst Gallery.