March 18 - April 15, 2006
Press Release, February 2006:
Hurst Gallery's upcoming Stages of
Depiction: Indian Drawings, 17th - 19th
Centuries presents a unique
opportunity to consider the artistic process
involved in the creation of Indian works on
paper. Exhibitions and publications of
finished paintings from this region are far
more common than those focusing on drawings
per se. The drawings are predominantly
Northern Indian, offering works composed in a
variety of different workshops, including
those of the Bundi, Kotah, Pahari and Mughal
schools.
The exhibition offers a balance between
genre and group scenes, mythology and
religion, and portraiture. It includes a rare
schematic series of preliminary sketches for a
set of Janamsakhi illustrations. The
sketches depict scenes of the life of Nanak, a
16th-century saint revered for founding the
Sikh religion. Also noteworthy are six
preparatory drawings from a set of
illustrations of Barahmasa poems.
Beginning in the early 16th century, Barahmasa
poem sets described the twelve months,
with a focus on the festivals that ushered in
each season. Individual scenes center on the
romantic bond between a man and a woman. This
imagery functions as a metaphor for life, and
embodies the effects of the seasons in a rural
society.
Stages of Depiction also displays
rare renditions of foreigners, such as one
finely tinted color and ink drawing of a
Portuguese soldier. The soldier's sleeves
are ringed with designs and his sash displays
carefully scalloped edges; his facial features
are idealized rather than naturalistic.
Another sheet contains studies of fashionable
European women intermingled with traditional
motifs sketches.
The exhibition accepts the drawings'
varying states of completion, inducing the
viewer to concentrate on areas where the
artist focused the most attention. The small
scale of the works featured in Stages of
Depiction suggests that these drawings
were intended for private, intimate
consumption, including use in domestic worship
by their patrons. Some of these drawings may
have been placed in the home-altar, others may
have been intended to illustrate manuscripts.
Still others memorialized commonplace or
notable contemporary situations.
The exhibition is accompanied by a fully
illustrated catalogue. Prices for the drawings
range from a few hundred to several thousand
dollars. Hurst Gallery is located at 53 Mount
Auburn Street, Cambridge MA 02138
(617-491-6888). The exhibition is accompanied
by a fully illustrated catalogue ($25 pp.); it
may also be viewed on line at
http://www.hurstgallery.com.